Tuesday, December 7, 2010
I busted out one of Ansel Adams’s dirty little tricks today: red-filtered black and white. Except that, you know, he sort of had to plan it out ahead of time before he took the shot. I just had to get a little funky and decide to use Picasa’s filtered black and white tool, and choose a nice deep red. Have I mentioned that I feel super cheeseball when I make black and white images? It just.. seems like cheating.
But, I thought this one was a good example to show the results of using a (simulated) color filter on a black and white shot. Or, at least, it would be, if I weren’t too lazy to also include the full-color version, or either an unfiltered black and white or a version filtered with a different color, for comparison. As it is, you just get this one today. Although I’ll be honest, I actually prefer the full-color version, since the colors are, quite frankly, really awesome. It’s actually fairly rude of me to be talking about that without actually showing it to you, but hey, that’s how it’s going to be. Maybe I’ll post it here later this week or next week though, since it really does look nice.
Anyway, a red filter on a black and white shot has a lot in common with a polarizer filter on a full-color shot. It really darkens the sky and pulls out the white fluffy clouds. It’s a decent way to get around that nasty, mid-day sunshine too. But, I dunno, I’m still not a black and white kind of guy.
What’s that? Where was this taken? Oh, right. This was taken near Loveland Pass, in Summit County, Colorado. Loveland Pass used to be the way through the mountains, until they built the Eisenhower Tunnel on I-70. Wikipedia knows ALL about it, if you were curious. WikiLeaks knows less about it, but hey, you might as well check there too.
Notes: Canon EOS Rebel T1i, Tokina 11-16mm f/2.8 lens. 1/500s, f/7.1, ISO 100. Focal length: 12mm.